Friday, September 22, 2006

Going, Going, GongStar!

Boy meets girl
girl loses boy
girl meets boy
girl loses boy
girl loses boy
girl loses self

What can you say about a 0.4-year old movie that flopped? (Apart from rendering its thoughtful story and sensitive message into a form suitable for machine translation into Lojban, that is.) It seems to have gotten rave reviews elsewhere, so we feel it is our bounden duty to correct certain impressions that may be formed upon the tender and uninformed minds that tend to watch escapees from the Bhott stables.

Let's see, where do we start? The very beginning of the movie throws it into flashback mode, which is a curiosity - most cliched fiction tends to hold to the belief that your life flashes before your eyes when you drown, and not after a terminally bleeding shortsighted cop with meghalomaniac tendencies shoots you in the shoulder using a weapon that can be almost guaranteed to hit anything but the target at that distance.

Oops, did I "spoil" the story for you? Appy-polly-logies.

To continue, consider this guy - India's answer to Rowan Atkinson, who can out-act everyone else in the movie in spite of (or perhaps because of) having fewer words to say in the whole movie than are in this self-referential sentence. Also starring in this movie are the cereal kisser as the sharpshooting bar-singing empathetic dedicated diamond-and-coal (or similar unmixed metaphor, I forget) cop from "Indian Intelligence" who is out to make the arrest of his lifetime, with such success that, well, goes quite literally to his head. King Kongna, who manages to successfully distract the viewer from the fact that she can't quite act and speak at the same time, is the third angle (or side) to this convolutedly straight plot, and is perhaps the only reason to consider watching this movie at all.

Hm. That many long sentences later (which I hope your eye jumped over, as it should over this,) we move on to what this movie teaches us: For perhaps the first time in Bollywood movies, here is a movie with the music done almost right. (The other thing it did teach is that movies should be watched comfortably, but that is a whole different story.)

Oh, and I almost forgot: it's based on two real people (the cop being, most unfortunately, the creation of a fertile and scintillating mind?) who would be most thrilled to see their fate, since as far as I know, they're still alive.

1 comment:

Sheer melody said...

Hilarious!!!

cereal kisser...

LMAO...